Thursday, July 16, 2015

At the Summer Exhibition 2015 Royal Academy

Here are a few highlights and impressions of the Summer Exhibition this summer. I've reproduced the work here out of sheer awe and wonder at the work of these artists in the hope that others will appreciate and support them. 






















flat platted river
slowly flows
into vast Atlantic blue

(c) David Loffman


This is Mississippi River Blues by Richard Long RA. It's in the Summer Exhibition.

Click here for a link to Richard Long's Official Website and click here for a link to the Summer Exhibition 2015































Through woven sunlight and rainfall
I'm looking down at butterflies

(c) David Loffman

This is Rainfall by Ermioni Avramidou. It's in the Summer Exhibition.

Click here for Ermioni's facebook page and click here for a link to the Summer Exhibition where you can see the real work























A smudged line
between sea and sky.

Earth dissolving.

(c) David Loffman


This is Uist by Jock McFadyen. It's in the Summer Exhibition.

Click here for a link to Jock McFadyen's website and click here for a link to the Summer Exhibition where you can see the real work























We move among the metal forest
where the nymphs are departed
and only our fractured shadows remain.

(c) David Loffman


This is The Dappled Light of the Sun by Conrad Shawcross. It's in the courtyard at the Royal Academy as part of the Summer Exhibition. The photograph also contains an image of the artist.

Click here for a link to Conrad Shawcross's website and click here for a link to the Summer Exhibition.






















Gannets and vast jigsaw pieces of rock

(c) David Loffman


This is Gannets on Flannon by Norman Ackroyd RA. You can see this at the Summer Exhibition at the Royal Academy.

Click here for a link to Norman Ackroyd's website and click here for a link to the Summer Exhibition

And finally click here for a review of the exhibition from the Telegraph. It's the closest review to my own thoughts about the SE. And besides it gives Norman Ackroyd's work a positive mention.

* Text in italics is my responses to the work. The copyright is mine.

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