Monday, February 29, 2016

Some books I've enjoyed recently


I've been reading quite a lot since August. So I thought I'd share one or two of the books I've particularly enjoyed. I've just finished reading 1606. It follows the year in Shakespeare's life in which King Lear, Macbeth and Anthony and Cleopatra were written and performed.



Shapiro links these three plays to there historical context by identifying them as Jacobean dramas that could only have been written during King James 1st reign rather than Elizabeth's. For example in King Lear, Shakespeare tackles a central issue of James's early reign as king, that of an act of union between England and Scotland. One of the main themes of the play is the problems of dividing a kingdom. This important policy that James was passionately advocating incurred huge opposition in parliament. Macbeth on the other hand draws directly from the attempt - only a few months earlier in November 1605 - by a radical faction of Roman Catholic noblemen who attempted to assassinate King James and destroy the houses of parliament and the democratic structures of England in an attempt to create a new type of government and to reinstate a Roman Catholic monarchy. I'm being incredibly simplistic in this summary. The book draws on a wide social and cultural range full of interesting historical and literary details. As well as Shakespeare's personal and public life is woven throughout the book. Also Shapiro is aware of the contemporary threats being made to our own institutions by Islamic extremists.



I don't feel I can really move on without a brief mention of Shapiro's fabulous earlier literary biography of another year in Shakespeare's life, that of 1599. this history tended to focus much more on the day to day details of Shakespeare's professional life. It is set after all at an earlier stage in his career during a period of extraordinary creative output. The later book in contrast focuses on his first Jacobean dramas much closer to the end of his career where Shakespeare found the transition of writing from the Elizabethan court to the new and establishing Jacobean court quite difficult. His creative output at this stage in his life had slowed down somewhat.






I've been reading this social history of Britain since the first volume - Austerity Britain was published in 2010. Part 1 of the third volume is as lively and exhilarating a read as that first volume. However it's a lighter less intense reading experience than the first two volumes. There isn't, for example, the intense and challenging chapters on town planning or government economic strategy that we find in Austerity Britain or Family Britain. And perhaps there seems more emphasis on the developing youth culture, the growing significance of television and the birth of a popular celebrity culture. Despite this absence though it was a thoroughly enjoyable read.

I don't know when I'll get round to the final part of volume three that will mark the midway point in this epic popular social history. But part one has left me eager for more. And that is another fabulous front cover photograph. Don't you think?















One of the features of this collection of Sappho's poetry that I've enjoyed is the commentary on each poem or fragment and the way this is laid out in the book.

I feel so removed and detached from her work that the commentary has become indispensable reading. It doesn't cover every aspect of the poem or fragment but rather concentrates on specific points of cultural and literary difficulty.

I started reading the collection when Iona told me she was studying Sappho for her degree and I wondered if I could help out at all. So I tried reading the poetry alongside her.
However I recall Iona talking about the poetry over lunch one day where she left me rather stumped with her insights and knowledge of the poetry and history of the time. 




I've also spent some time reading the T. S. Eliot prize 2015 short listed poetry collections. It was not particularly easy reading collection after collection in what was for me a rather too short period of time - about 3 weeks over Christmas. But I particularly enjoyed Don Paterson's 40 Sonnets and the winner's - Sarah Howe's Loop of Jade. I did read Citizen An American Lyric by Claudia Rankin practically in one sitting. It was a dazzling and powerful experience. But hoped the prize would go to someone less established.

I also read Clive James's translation of Dante's Inferno. I was going through quite a difficult time as I was reading it.  The children had returned to Nottingham after the new year, David Bowie had died and there were difficult personal circumstances we were having to deal with at the time. 

At times it felt like I was walking through my own hell. It's not an easy read at all. especially as so much of what Dante writes is bound up with 14th century Florentine politics and public life. Again what helped was Penguin's own edition of the poem that contains a commentary on each book. I used both books to help me. It did take a long time to read.



Each of the images I've posted here is a link to amazon. So if you felt like clicking through you can order copies of these books from this blog.



Sunday, February 14, 2016

Dinorwic quarry sunset






















I grew cold 
and weary in the embers of 
this sunset

Haiku by David Loffman
Photograph Sunset at Dinorwic Quarry by Katy Loffman used with kind permission

Monday, January 11, 2016

Sunset line





















sunset clouds like a golden fleece

iambic hexameter by David Loffman
Photograph Golden Clouds by Psyche Delia
reprinted under flicker's Creative Commons licence

T.S. Eliot Prize Reading 2015





This was an extraordinary evening. I sat - for three hours - for the most part transfixed by the most amazing group of current poets reading from their short listed collections of poetry.

I felt - sort of - privileged and honoured to be present at this occasion. At times it was as if what Ian McMillan said in his introduction, that despite an audience of over 2000, the readings were intimate and direct. The poetry filled the auditorium and ignited our imaginations.

I've been reading the poems on the short list for the last couple of weeks. It's been a rather frantic experience dipping in and out of collections. Sometimes the experience has been frustrating, always humbling and often a sheer delight.

I don't really have any clear idea of a winner - and already in a way - all the short listed poets are already winners. But I've particularly enjoyed Sarah Howe's Loop of Jade and Don Paterson's 40 Sonnets.

But we'll all know in about three hours time.

David Bowie


I wanted to find words - a song of his - to mark David Bowie's death today, but found myself reflecting on this piece of music. It seems to convey something of that lonely passage we will all encounter. There is something terrifying and comforting in it.

If I'd ever met him I'd want to thank him for the gift of words he passed on to me. And thank him for his life, growing up in a south London suburb. He was a just a lad growing up among the debris of war and yet touched our lives.

'Ziggy played guitar.'

Tuesday, January 05, 2016

New Year Iambic hexameter



















first light prizes open the year

Iambic hexameter by David Loffman
Photograph Richmond Park Sunshine by Steve Calcott
reprinted under flicker's creative commons licence

Sunday, December 27, 2015

Three Advent and Christmas haiku















outside
the trees dressed in hard
galactic light

Haiku by David Loffman
Photo milky way silhouette by Indigo Skies Photography reprinted under flickr's creative commons licence 












we fend off
the vast darkness with
candle light

Haiku by David Loffman
Untitled photograph by Ryan Martinl reprinted under flickr's creative commons licence 











the stable boy
stirs in straw and rags through his
first long night


Haiku by David Loffman
Untitled photograph by orientallizing reprinted under flickr's creative commons licence 

Wednesday, December 23, 2015

The Wexford Carol

Click here for a beautiful Christmas carol.

Saturday, November 28, 2015

November Haiku and Photograph
























suddenly 
the cold - dry and clean, sharp
like a blade

Haiku by David Loffman
Photograph The Frost is all Over by London Looks
published under flickr's Creative Commons licence

Tuesday, November 10, 2015

November lines from Richmond Park

ghosts appear sculptured out of dense grey fog

























   

   
Iambic pentameter by David Loffman
Photograph Through the Mist by antgirl 
published under flickr's Creative Commons licence



great stag stands antlers rooted to the sky
   
   














   
   
Iambic pentameter by David Loffman
Photograph IMGP3935 by Laurence Arnold
published under flickr's Creative Commons licence

Saturday, October 31, 2015

Two autumn lines and photographs



sunlight shattered into pieces of gold




Iambic pentameter by David Loffman 
Photograph Autumn colors by peaceful-jp-scenery
Published here under flickr's creative commons copyright


behind
quivering leaves, shafts of sunlight
find me





Haiku by David Loffman
Photograph Autumn by Harry Lipson
Published here under flickr's creative commons copyright

Friday, October 23, 2015

Joni Mitchell In Concert BBC 1970 - DVD quality plus





I came across this BBC Joni Mitchell concert from 1970. Just stunning!


Thursday, October 15, 2015

File on 4 Colleges in Crisis

Here is a link to File on 4 broadcast on Tuesday night. It presents a rather disturbing portrait of the Further Education sector in which I have worked for almost 30 years.

Click here for the link


Saturday, October 10, 2015

Ted Hughes - Stronger Than Death

We've just watched an outstanding documentary about the life of the poet Ted Hughes. We were completely spellbound by it.

Click here for a link

http://www.bbc.co.uk/iplayer/episode/b06j7pkl/ted-hughes-stronger-than-death


Sunday, August 23, 2015

A concert at the BBC PROM

On Friday evening I watched this fantastic concert at the BBC Prom. The Beethoven triple concerto just blew me away. Daniel Barenboim is incredible. Click here for a link to it.

Wednesday, August 12, 2015

Being Dead by Jim Crace

My ambition has been to read every Jim Crace book he has ever written. But I've been quite slow. Here are a few observations about the second one I've read. 




Being Dead by Jim Crace.

Two middle aged doctors return to the sand dunes at Baritone Bay after 30 years where they first met and made love. It marks the start of their 30 year marriage. But this second visit is different. They are naked and dead. They have been murdered.

The novel weaves different narrative strands. Firstly the novel details  the slow decomposition and decay of the bodies until the corpses are discovered six days later. We read about the changing weather, the different creatures, the chemical reactions, the body fluids. Crace writes with a detached detailed and sensitive prose that becomes poetic at times. We are confronted by the physicality of death. Its materialness. There's nothing spiritual or emotional about it. It just is.

A second narrative thread describes the first meeting 30 years ago as post graduate students staying at a cabin near the bay along with four other students. Crace describes attitudes, attractions and ambitions of the six students - with special focus on Joseph and Celice's meeting and relationship. The prose here is delicate, sensitive, observant. He picks up details of character that draws us in. A third narrative is that of the couples final day. Crace takes us on a journey from the moment they were bludgeoned to death by a random stranger to the start of their day. I found this thread the least interesting with lots of domestic details and descriptions of the relationship established over a long period of time. The final narrative thread - the most novelistic - follows Syl's discovery of her parent's  murder. Although not a close family - she seems quite antagonistic to start with - soon becomes love, hard won, battered out through the years. It is touching, beautiful at times.

I enjoyed the novel. Read it in three readings. I liked the individual, unattractive couple and their daughter. I liked the random act of murder that is left completely unexplored except for the inevitable mopping up by the police. I loved the forensic descriptions of purification and decomposition of the two bodies. I thought the Syl narrative - introduced about half way through the novel - helped keep the text engaging. Crace is a craftsman. He's completely in control of his material. And brings it all gently and pleasingly to it's end.



Tuesday, August 11, 2015

FE and Sixth Form Colleges funding - The Today programme

Click here for a link to an article on the Today program about Further Education and Sixth Form college funding. I'm sure I've become a victim of the funding cuts that have taken place from 2011. And still set to continue.

You'll find the article 2 hours and 41 minutes into the program. The article lasts just about 5 minute. It ends at 2 hours 46 minutes and 14 seconds.

Sunday, July 26, 2015

Little Gidding

I first found out about Little Gidding in 1980 /81, 34 years ago. It was the title of one of the poems I studied for my English A level. One of the sections of the poem really stood out for me because it tells the story of a journey to a little chapel or church in Cambridgeshire where the narrator - the poet T. S. Eliot - came to pray and describes a mystical encounter with God. As I came to know the poem over a period of months I realised that the poem was telling my own story of a discovery of a church close to where I lived in Harrow, where I felt that I had had a mystical encounter with God.

I've read that poem again and again over the years. I've performed it in public and I've preached about it twice in my own church in New Malden. But it never really occurred to me that I could actually visit the little church at Little Gidding.

But this weekend we did visit the church and stayed the night in Ferrar House - named after Nicholas Ferrar the 17th century son of a merchant, who restored the church and built several houses close by to create a Christian community. The church of St John the Evangelist is situated in the grounds - or garden of Ferrar House. The house is a Christian retreat centre and is open to individuals and small groups to stay.

It was an incredible visit. Both my wife and me can barely believe that we actually spent a couple of hours in the church on Friday and then spent the night next door in Ferrar House where we were looked after very well. And then the following day we spent a few hours in the library of the house and then a final visit to the church before heading off.

Click here for a link to an article about Little Gidding.

Click here for a link to the Ferrar House website

Click here for a link to a printed extract of the poem

Here is Eliot reading the whole of Little Gidding. He first visited it in 1936. The poem was published in 1942





And here is my reading of the first section of Little Gidding










Saturday, July 25, 2015

Beyond the Border 2016





The dates for Beyond the Border 2016- The Wales International Storytelling festival have been announced. The festival dates are Friday 1 - to Saturday 3 July 2016.

Click here for a link to the BtB website.

I expect we'll be going and it would be great to see you there as well.


Thursday, July 16, 2015

At the Summer Exhibition 2015 Royal Academy

Here are a few highlights and impressions of the Summer Exhibition this summer. I've reproduced the work here out of sheer awe and wonder at the work of these artists in the hope that others will appreciate and support them. 






















flat platted river
slowly flows
into vast Atlantic blue

(c) David Loffman


This is Mississippi River Blues by Richard Long RA. It's in the Summer Exhibition.

Click here for a link to Richard Long's Official Website and click here for a link to the Summer Exhibition 2015































Through woven sunlight and rainfall
I'm looking down at butterflies

(c) David Loffman

This is Rainfall by Ermioni Avramidou. It's in the Summer Exhibition.

Click here for Ermioni's facebook page and click here for a link to the Summer Exhibition where you can see the real work























A smudged line
between sea and sky.

Earth dissolving.

(c) David Loffman


This is Uist by Jock McFadyen. It's in the Summer Exhibition.

Click here for a link to Jock McFadyen's website and click here for a link to the Summer Exhibition where you can see the real work























We move among the metal forest
where the nymphs are departed
and only our fractured shadows remain.

(c) David Loffman


This is The Dappled Light of the Sun by Conrad Shawcross. It's in the courtyard at the Royal Academy as part of the Summer Exhibition. The photograph also contains an image of the artist.

Click here for a link to Conrad Shawcross's website and click here for a link to the Summer Exhibition.






















Gannets and vast jigsaw pieces of rock

(c) David Loffman


This is Gannets on Flannon by Norman Ackroyd RA. You can see this at the Summer Exhibition at the Royal Academy.

Click here for a link to Norman Ackroyd's website and click here for a link to the Summer Exhibition

And finally click here for a review of the exhibition from the Telegraph. It's the closest review to my own thoughts about the SE. And besides it gives Norman Ackroyd's work a positive mention.

* Text in italics is my responses to the work. The copyright is mine.

Tuesday, June 16, 2015

The Clangers

They have remade The Clangers. Series 3 is now available on the BBC iplayer. It's interesting to compare the differences between the original 1970's episodes with the most recent ones. Here are examples of the opening episodes from the first and most recent series.

What do you think?

Click here for a link to the opening episode from the 1970's

and click here for the most recent episode. Only available for the next month.

Notice how linguistically sophisticated and varied the original introduction is in comparison to the simple lexical choices and visually more dynamic the recent introduction is. Notice also the long, slow sweep of the camera from Earth to the 'star' where the Clangers live, compared to the fast forward focus in the recent series. There is also something terrifying and alienating about the black expanse of the cosmos in the original compared to the sub-urban blue sky of the the recent one.

It's interesting to consider what these differences tell us about childhood, the expectations and assumptions we have of childhood experience.

Click here for a recent interview with Peter Fermin on Radio 4's Front Row about his work on The Clangers.

What every interested citizen should know about science

So according to Brian Cox on the Today programme on radio 4 this morning, there are three scientific facts any interested citizen should know - however I think he identifies four in all.

1 Atoms are the buidling blocks of the material universe

2 The universe came into being 13.82 billion years ago

3 and all life on earth shares a common ancestor and is involved in a process of natural selection

4 There are four fundemental forces of nature. The most important of these is gravity - despite the fact that it is the weakest. Given that, I can barely make any sense of the other three fundemental forces.

There were some other interesting facts along the way in this rather confusing interview, including the facts  that:

  • The earth is five billion years old
  • Life on earth began four billion years ago
Anyway try and make sense of it yourself by clicking here.




Tuesday, June 09, 2015

The Summer Exhibition at the Royal Academy 2015

I can't believe the Summer Exhibition has already opened. I've only quite recently finished the two poems inspired by exhibits from last year. It's come round so quickly. It's been a source of inspiration for me for a few years now. I'm really looking forward to visiting in early July.

Click here for a link to details about this year's show.


Friday, June 05, 2015

Pete Seeger - Little Boxes

It's Friday afternoon and I'm feeling a little uneasy about the working week that has just gone and the working week to come.

This song by Malvina Reynolds performed here by Pete Seeger has something to do with it I think.



Thursday, June 04, 2015

T. S. Eliot: The Love Song of J Alfred Prufrock

Click here for a link to Jeremy Irons reading of Eliot's The Love Song of J Alfred Prufrock. It's one of my favourite poems. Radio 4 broadcast it on Tuesday 2 June. Perhaps as a belated birthday treat. It's a very different reading from the one I would give.






Saturday, May 30, 2015

Timbuktu: a film by Abderrahmane Sissako


We've just come back from the first screening of Timbuktu in the UK. It is a visually stunning film. A soft desert landscape often filmed at sunset. It gives everything the sunlight touches a radiant glow. It's a way i think for the director to disguise the awful brutality of the jihadist regime that has occupied and now controls the lives of those who live there in Timbuktu.


The brutality is presented at first with a comic banality as a jihadist proclaims from a megaphone as he rides a moped through the sand filled streets, that smoking is prohibited, that women must wear gloves at all times, that there will be no music or football.

But these comic, almost laughable laws give way to moments of terrifying yet mundane violence. A woman is sentenced to 80 lashes of a whip for singing, we see a couple buried up to their necks and then stoned until they are dead. And then there is the awful sentence of the man who shot his neighbour unintentionally in a dispute about the killing of a a cow. It is his fate along with his wife and daughter that dominate the film.

The film weaves around the lives of both inhabitants and jihadists with an understated human sensitivity extended to both groups. Characters are not simplistic templates of good or evil, jihadist and citizen. The jihadis doubt and question their actions. For example one guard questions whether a group of women should be arrested for singing holy songs to God. The village women are strong, aggressive and challenging but ultimately submit to the physical presence and threats of  these driven men with automatic rifles, Toyota jeeps and mobile phones. Gadgets they seem to take an uncomfortable pleasure in using.



It's a visually beautiful film to watch. The intimate family relationship between husband, wife and daughter forms an emotional centre of the film. The light touches of humour are a simple delight. For example the donkey that walks across a football pitch during a game played with an imaginary ball. The men are presented with beauty, authority and dignity by their flowing robes. However women dressed in black robes and veils look imprisoned and uniformed. They express themselves despite their  clothes, whereas men are affirmed by their clothes. The jihadists hypocrisy is presented with one brief moment where one of the high ranking guards is smoking a cigarette privately and is discovered by a subordinate.




Click here for a Guardian review of Timbuktu a film by the African director Abderrahmane Sissako.